Tuesday, February 26, 2008
Pym and Lovecraft in film
The second is a 1930s film adaptation of H.P. Lovecraft's At the Mountains of Madness:
Neither is really long/strong enough for a cultural appropriation presentation so I thought I'd post them myself.
Godot
There we have another abstract piece of literature where at the end God is supposed to show up. In class today, people seemed to agree that it is God who appears at the end of Narrative of A.G.P.
What does our hybrid Peter's involvement here say? I wonder if what we have here is saying something about God's creation of man.
The French and Us, Can We Agree?
I would like to maintain that I was a little disappointed, or at the very least perplexed by one thing in our class discussions, this week and last, and that was the general sentiment around me of disapproval of the unrealistic aspects of Narrative of A.G.P.
Professor Harrison is right to point out that I am taking a French interpretative approach; so much so that before he even mentioned it I just started to remember The Little Prince, because grownups just don’t understand! All of you, I now sadly suspect.
Basically, just because it said at the beginning that it was true, does this mean for us at home here in VA, (also the home of Poe himself, please regard) that it has to appear realistic in order to be more valuable?
RSVP, tell me your reasons why it is that it matters whether or not certain parts of this narrative need to be there. Other than the fact that it takes up our time to read about hatchets that are picked up then tossed aside, or descriptions of penguins and Islanders, is there a good reason why something particularly shouldn’t be there? Because if it is in there, then I guess Poe had his reason for it, (which we are left to interpret).
Also, during our discussions I recall discussions of days past, at the beginning of the semester we wondered to ourselves if Poe wrote what he thought people wanted to read, or was it what he wanted to write. Did Poe write what he wanted others to read?
I would write a Narrative adventure story of getting lost at Sea, and stranded on a deserted
Monday, February 25, 2008
Longitude, Latitude
Sunday, February 24, 2008
A Question on Pym
I figured they would have eaten him, but unless I missed it when skimming the boring days, - he just vanished from the story.
Can anyone tell me what happened to him?
Thanks,
Audrey
Friday, February 22, 2008
Augustus' Death
Thursday, February 21, 2008
Narrative A. Gordon Pym +/- Continuity
Because I shall have frequent occasion to mention him hereafter in the course of my narrative – a narrative, let me here say, which in its latter portions, will be found to include incidents of a nature so entirely out of range of human experience, and for this reason so far beyond the limits of human credulity, that I proceed in utter hopelessness of obtaining credence for all that I shall tell, yet confidently trusting in time and progressing science to verify some of the most important and most improbable of my statements. (1044)
He then proceeds to fall back into a narrative voice to depict the events on the deck of the Grampus.
Poe furthers his disregard for a continual narrative voice by describing the days beneath deck. He begins using a journal method of composition. Arthur begins each day’s events by stating the month and then the day. I find the change in the meaning of the definite article ‘I’ from defining the narrator in the aforementioned example to defining Arthur as he describes his days beneath of the deck to be distracting and problematic.
In the preface, “Arthur” warns the reader of the inconsistencies in the text by writing, “even to those readers point out where his portion ends and my own commences; the difference in point of style will be readily perceived” (1008). I do not accept this excuse as an adequate reason for the inconsistencies in the text. I find the change of defining articles, format, and compositional qualities to be tiresome and a nuisance. The complexity of the storyline requires a strong narrative voice that can accurately and sufficiently depict events.
I readily understand that not all share my view on continuity. What are your opinions on the flow of the text? Do you find the changes of voice and compositional format distracting? Does warning the reader of a discrepancy excuse it from happening?